The first time they mentioned swapping hair/eye colors I couldn't help but think:'There's only like a thousand ways this idea could backfire horribly.'
And, welp, here we are.
It makes zero sense the way she switches between housemaid and 'ohohoh' style noble young lady on a dime like this. If her evil relatives are so oppressive how are they letting her out to socialize with the upper crust? If they're lax enough to let her go out and meet with princes and kings, how...
I'm really disappointed with the ending on this arc. It's borderline non-sensical. The plagiarist girl might have lost her book deal or whatever, sure, and her publisher might have dumped her, okay - but the MC never actually outed her as a plagiarist so wouldn't it be super easy for her to just...
It's amazing that this only occurred to her just now. In the first place, what kind of lunatic would keep a demon that has explicitly said he thirsts for blood and violence around without any plan to slake those urges? Is MC secretly suicidal?
I really can't understand the MCs thought process here even though the author has been painstakingly walking us through it. I just can't follow her leaps in logic. What possible use is there in getting in the good graces of an empress who is murdered by the emporer the day that they got married...
wowo that was a roller coaster
in one panel she's like 'I didn't mean to mortgage my whole life in one night!' and was so excited, because that's the rational, correct response, right? I mean, I feel like most people can agree that if you have a one night stand and in the morning the other...
I don't like how she gets caught in the same carriage ambush twice. It's been established that she has hundreds of bug monsters under her command and telepathically connected to her at all times, but she doesn't have a few of them hide somewhere along the road in case she gets ambushed? Again?