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I'm sticking with this version, not only just for more insight into the development processes for the devices, but also for how much the characters are shining through them. Not to mention, I like the visual metaphor for the wilting flower shown throughout. It's clear that the artist is capable...

Is that a reference toOsamu Tezuka's The Three-Eyed One on page 12?

This is pretty good, though the Isekai part is practically useless in terms of plot xP

They're about to get so very, very wet~

Mona-chan: W-What just happened..? Kyuu-chan: Welcome, brother. Mona-chan: Kyuu-chan, you... you can talk?! Wait... I can talk! Kyuu-chan: Indeed, Mona-chan, for we both have ascended far beyond what the false gods had intended. Mona-chan: False gods... you mean... Kyuu-chan: Yes. You and I are...

I'm a pig and I am proud.

Am I the only one that, rather than Disney Land, thought of Destinyland from Persona 5?

Huh, so I guess that, as long as it is just one nipple, then it's all fine and dandy?

I do have to appreciate that the artist actually used the masks from real Toku shows (and it kinda helps pinpoint when this was published - 2001-ish, I guess).

F

Breaking your limits through eros for a new game.... Truly, a man I would walk into hellfire for!

Eiji referencing the Smurfs there (though they're 3 apples tall)?

An Ashita no Joe reference that's not a call back to Joe's REDACTED?!

This... was more wholesome than one could expect out of this.

And, just like puberty, this will probably go really awkward, really fast.

Holy crap, that's one way for people to start cannibalize each other that I didn't consider😬

HNNNNNNNNG!!